Mythologie Kretas: Minotaurus, Königstochter Ariadne und Theseus. Die Königstochter Ariadne, das Ungeheuer Minotaurus und Theseus. Doch Ariadne langweilte Theseus, also brachte er sie zu einer Insel, wo er sie, als sie des Nachts einschlief, verließ. Tage später war Ariadne bereits sehr. Als dies zum dritten Mal geschehen sollte, ging der athenische Königssohn Theseus als Opfer mit nach Kreta. Dort verliebte sich Ariadne in ihn. Nachdem.
Der Ariadne-MythosDie berühmteste, ja archetypische Heldentat des Theseus ist sein Gang ins Labyrinth des Königs Minos von Kreta. Ariadne, die kluge Tochter des Königs von. Doch Ariadne langweilte Theseus, also brachte er sie zu einer Insel, wo er sie, als sie des Nachts einschlief, verließ. Tage später war Ariadne bereits sehr. Als dies zum dritten Mal geschehen sollte, ging der athenische Königssohn Theseus als Opfer mit nach Kreta. Dort verliebte sich Ariadne in ihn. Nachdem.
Ariadne Theseus Navigationsmenü VideoThe Story of Theseus (The Athenian Hero) Greek Mythology - See U in History
Und so erzählt, ergänzt halt jeder, der die Geschichte erzählt, auf seine Weise. Prokrustes als Zerhacker Jo, hab ich auch als eine der Varianten gelesen.
Na, ich geh der Sache mal auf den Grund. Den es wohl nicht gibt. Puh… Echt kompliziert dieser Prokrustes! Prokrustes hatte nur ein Bett Tja, die schlausten meiner Bücher sagen — Prokrustes hatte nur ein Bett, sein Riesenbett eben — und hämmerte auf den armen Wanderern herum, bis sie lang genug für sein Riesenbett waren.
Womit ich nicht sagen will, dass nun das DIE Wahrheit ist. Please enter your comment! Please enter your name here. You have entered an incorrect email address!
Neueste Artikel. November 0. Oktober 0. Aktualisierte Artikel. Oktober November Cernunnos — gehörnter Gott der Anderwelt Nordische Götter September Dionysos — der Gott, der den Tod kennt Griechische Götter April Wie geht es nach dem Tod weiter?
Heldenreise 7. Mai Götter sind schon da — sie sind unsterblich Blog 9. Whitehead — ein Mathematiker holt das Göttliche ins Denken zurück Blog August Wissenstest Griechische Mythologie Griechische Götter Dezember Götternamen aus aller Welt Ägyptische Götter 6.
Liste römischer Götter Römische Götter Ein beliebtes Motiv ist der Triumph des Bacchus. Jacopo Tintoretto : Bacchus und Ariadne , Annibale Carracci : Triumphzug von Bacchus und Ariadne, John Vanderlyn , Die schlafende Ariadne auf Naxos , — Evelyn de Morgan : Ariadne in Naxos , Weiter sind folgende Werke überliefert:.
Unter dem Namen Ariadne wurde zudem eine politische Frauenkrimireihe herausgegeben. On his way, Theseus had a series of ordeals in which he encountered various aspects of negative, unconscious masculinity.
The first was a desperado named Periphetes, who waylaid travelers and clubbed them to death. Theseus grabbed his club and beat Periphetes to death. A feature of all his encounters was that the ruffians had done to them what they did to others, illustrating a basic psychological law: the way one behaves, so one is treated.
That is true on the unconscious as well as on the conscious level. Periphetes was clubbed himself, and then Theseus made the club his own, so a bit of masculine power was won and was made available to the ego.
As soon as the traveler would seize the tree, Sinis would release his grip and the traveler would be flung to his death.
Theseus disposed of Sinis by that same method: he arranged it so that Sinis was thrown by his own tree.
This is a strange image. Psychologically, it has something to do with distorting a natural growth tendency and then making use of the backlash of it.
The bending of the natural tendency can only be held a short time and then it springs back to its original position.
We might think of this as an image of excessive self-discipline that cannot last forever because it requires too much energy; sooner or later the natural forces exert their backlash and throw the ego off again.
These images are the product of centuries of folk polishing, so to speak, and they have a lot to say about the human psyche.
Theseus then had to face Sciron, who was seated on a high rock where he forced passersby to wash his feet. While they complied he kicked them off the cliff into the sea where a great turtle devoured them.
That would refer to the danger of succumbing to false humility, to a servile attitude, as the washing of the feet suggests.
In other words, this chap took advantage of the individual's tendency to be obeisant or subservient, and then destroyed him for it. Theseus repaid him in kind.
At a superficial level, the image recalls Jesus' washing the disciples' feet. But the Biblical image belongs to a higher level of ego development and thus has a different meaning.
The archaic Greek image applies to an earlier stage of ego development. The whole system of Christian virtues and the negation of the will is not really suitable for the young.
One has to have something to sacrifice before giving up one's egocentricity means anything. It can often happen that the task of developing a sturdy, aggressive ego is bypassed by taking on those so-called self-sacrificial virtues prematurely, and then the life process is actually short-circuited rather than fulfilled.
Sciron was followed by Cercyon, a vicious fighter who would challenge each traveler and then crush him to death in his embrace. Theseus got the better of him by making use of the strategic principles of wrestling, which he invented.
He overcame Cercyon not by brute force but by the application of conscious skill and inventiveness, suggesting that consciousness must use its own principles in dealing with the unconscious forces and not try to meet the unconscious on its own ground.
The final criminal the hero ran into is the best known: Procrustes. This man captured travelers and laid them out on his bed.
Those who were too long for his bed he chopped off so they would fit, and those who were too short he stretched out. This is such a striking image to describe a well-known human tendency that it has become popular in general usage.
A procrustean bed is a rigid, preconceived attitude that pays no attention to the living reality one is confronting, but brutally forces it to conform to one's preconception.
Finally arriving in Athens, Theseus was almost poisoned by Medea, who was Aegeus' wife at that time. She told Aegeus that the young man was a spy and Aegeus was about to become an accomplice to his murder when at the critical moment he caught sight of the sword he had left for his son years before, and dashed the poison cup from Theseus' hands.
What does that mean? One interpretation would be that just as the ego is completing one stage of relation to the father principle, it almost succumbs to a poisonous regressive maternal yearning within itself.
In addition, we can say that there is a reluctance on the part of the powers that be to let the new power come into its own.
The status quo wants to continue, and any newly emerging force has to fight it out if it is not to be overcome. Theseus, however, was recognized in time by his father and was welcomed with open arms.
She then eloped with him on his way back to Athens. She was then seen by the god of wine Dionysus , and married her.
From the union of Dionysus and Ariadne , a number of children were born; Oenopion, personification of wine; Staphylus, personification of grapes; Thoas, Peparethus, Phanus, and many more.Ariadne war in der griechischen Mythologie die Tochter des kretischen Königs Minos und seiner Gattin Pasiphaë, einer Tochter des Sonnengottes Helios. Sie half Theseus den Minotauros zu besiegen. Später wurde sie zur Braut des Weingottes Dionysos. Auf Kreta angekommen, verliebte sich Ariadne auf den ersten Blick in Theseus und erklärte sich. Nach seiner Ankunft auf Kreta verliebte sich Ariadne, die Tochter des König Minos, in Theseus und half ihm deshalb. Sie gab ihm einen Faden, mit dessen Hilfe. Die berühmteste, ja archetypische Heldentat des Theseus ist sein Gang ins Labyrinth des Königs Minos von Kreta. Ariadne, die kluge Tochter des Königs von. Archived from the original on Geller - May 23, 0. Surely the labyrinth is a representation of the unconscious, since it is that place where there is danger of getting lost. Fairysgate myths of Theseus and Perseus follow Zencasino other because the former concerns the encounter with the father monster and problems of the father complex, while the latter deals with the mother monster, the mother complex. The erotic complications initiate the necessary conflict between the Farmera and the older man.